Wouter Kingma is a filmmaker, a photographer, an author, a producer and an adventurer. He wears many hats within the creative industry and loves getting called upon for unique ideas and epic concepts. They all seem to overlap. They fill his passport with stamps and gets Wouter to tell real stories, which is what life is all about really; storytelling with different media, although film & photography will always lie at the heart of what he does.
Adventure plays a starring role in all his projects (work & play) and pretty much sums up how he does business. Wouter is also a conversation partner for both international lifestyle brands and agencies, helping them to create content that’s real. Producing media that an audience can relate to and stirs up their lives. He particularly loves seeing how his work on athletes gets people off the couch and to make positive changes in their lives.
Wouter started blogging in 2009 and it's become a source of inspiration, knowledge, images and stories. As mentioned, everything boils down to storytelling. Recently, Wouter has been producing more ‘behind the scene’ videos. They are a great way to share the love for what he does. There is rarely a boring day!
My Saudi Dakar – Wouter Kingma recaps his photography experience at the 2020 Dakar Rally
On the first of January I find myself making an early departure from our family ski trip in the Austrain Alps. Leaving the snow behind, seeking a completely different adventure in the wilderness of Saudi Arabia. After 40 years of exploring Africa and South America the iconic Dakar Rally has embarked on a new chapter in the Middle East, within its host country Saudi Arabia.
I’ve spent part of my expat childhood living in Saudi Arabia (1983 to 1985) and from 2003 frequently been travelling there for work gigs. The magical Kingdom, how I call it, has gone thru an array of developments and changes. Specially the growth spurt under the leadership of HH Crown Prince Mohammed bin Salman bin Abdulaziz has put Saudi Arabia in a global spotlight.
Bringing the epic rally to Saudi is just another great way to showcase the beautiful natural wonders they have on offer. I’ve seen lots of Saudi, mainly empty desert roads and flashy big cities, I even crossed the full country in 2019 with Khaled al Suwaidi who ran his 1755km pilgrimage to the holy city of Mecca. (https://wouterkingma.com/PROJECTS/Khaled's-Run-to-Mecca/thumbs). Over the years I was always moderately exciting about its landscape. Until…
Yes! Dakar showed us all the good stuff by visiting all corners of this huge country. Stunning. Stunning. Stunning. From the Wadi Rum like mountains and ancient thumbs in the north to the breathtaking dunes in the south. It’s a gorgeous wilderness. Specially the mountains in the north are asking to be explored and climbed. Such a wild playground.
Only the best of the best athletes and petrol-heads come to race, win or play. Regardless of their goals they are all striving for the finish medal near the capital of Riyadh. I found the Dakar community super nice. A unique pack of individuals, all in it for the spirit of adventure and that bonds people immensely.
Now what does it take to shoot a beast like the Dakar Rally? If anything, it’s good planning and access information. In parallel its working by (possibly bending…) the French rules set by the organizers ASO (https://www.aso.fr/en/). It’s an oiled machine that runs on clockwork like the Tour the France (also their event). It works successfully yet it is hard to penetrate by outside creatives, specially me who seeks something different…. My first words of advice during registration was ‘Dakar doesn’t wait. So be ready.’ A message that set the pace and certainly lived up to its promise.
The team at Professional Sports Group (http://www.profsports.com) made an engaging docu-series around the theme of #MySaudiDakar. I was stoked to be one of the selected few to share my personal experience. So, THIS is what it takes to capture the Dakar Rally.
Days start early, well before the crack to dawn, leaving camp in beefed up 4x4’s and solving the mystery game of location finding. Dakar is a fierce global competition and advance route info may benefit some, therefore no course info is shared in advance. For registered content makers there is a secret code group who, at the very last minute, receive just enough course info to than race thru the darkness trying to find a magical viewpoint, ideally with multiple angels to broaden the mix. It’s a stressful morning game of hide & seek racing against the clock of live rally route closure. Once the race is live, it goes incredibly quick. First the motorbikes shoot by, followed by cars, side by sides and finally the monster trucks. In three hours they have all passed and catching up later in the day is near to impossible as 700km+ road transfers were not uncommon.
Location finding in the mountains is a little easier as competitors should be on gravel roads, in the sand dunes however it’s a different story... In the desert there is only a mass of virgin sand, without any tire marks or indication where the rally route will be. The best tool is a good set of ears and fast legs. I had all my basic camera equipment in my f-stop backpack ready to unpack and start shooting. A nice feature about my Satori pack is that I access my gear from the backpanel, keeping the sand out and it quickly zips back up
Creating varied work is the icing on the cake! As I was feeding the official Saudi Dakar channels with fresh daily content my goal was to produce different types of images everyday. Yes the landscape changes over time, but the race is a repetitive format (at least visually). For those who are stuck in the process of shooting mixed work I’ll share my tips on how to keep on delivering varied magic.
So what’s the spicy mix?
•A creative toolbox filled with a selection of lenses (full kit list below) and all round storytelling experience.
•Doing your homework. Study what’s already out there. Research the athletes
•Luck and fortune. The unexpected ones are often the best. But be camera ready…
•Its working your butt off. Nothing comes easy at Dakar
•Constantly thinking different, working with the environment
•Include layers. Keep an eye on your backdrop. Work with light.
•Include culture. The Saudi locals came out in big numbers, they are incredible friendly and approachable. And in their white kandura’s they look striking different
•Climb a tree or wedge between big rocks. Or belly rub flat on the floor with a crazy long telephote lens. Unusual angles are key. You’ll spot me in the weirdest places.2
•Create dynamic content by working with motion and panning.
•Get in close with a super wide lens, again with a bush a extra layer. Be safe
•Get in tight with a long lens to isolate action of use the same lens to shoot action further away to include striking landscape.
Admittedly some days were better than others. Weather, landscape, sun angle, deadlines and access had a big impact on how visuals worked. With most elements out of my control, there is still no option of returning to base empty handed. I had some days where the morning location just didn’t work and it is a tough call to leave early in the hope to catch competitors later in the day with better conditions. During the early mornings you get to see all competitors just after the starting line when they are close together in racing order. Later in the day they spread out massively leaving big waiting times in between. As mentioned good planning is key.
The Dakar Rally camp (or bivouac as the Frenchies like to call it) is an interesting bubble. For photography, it’s a possible to get in close with international athletes and their crew, to pick up stories and hang out with follow creatives. Camp is a daily roving village of 3,000 competitors, mechanics, medics, media and organizers who call it home. Assembled at a new place every day, the logistic behind the daily rebuild is mind blowing. During the day the competitors play and at night the mechanics get their time to work their magic. We sleep in tents or campervans, cramped in small spaces and there is no hiding from the noise. During the few much needed hours of sleep we are treated with revving engines, noisy power tools, banging hammers. A hidden treat at the Dakar Bivouac…
I took little over 40,000 images, many went global thru the different social channels. There is talks about a coffee table book and keen to see what the final media clippings will be. I picked my top 60 for my own website (https://wouterkingma.com/PROJECTS/My-Saudi-Dakar/thumbs), trying to find a balance between RAW action, stunning landscape, rich culture & hospitality and the human spirit of the Dakar Rally. Got check it out.
No surprises, days were intense… Just imagine spending three wild hours shooting on location than drive a distance similar from Paris to Milan. Upon arrival edit your content, upload the best select, eat followed by a noisy night sleep. The next morning wake up super early do it all again including the drive back to Paris. And repeat this 14 days in a row… It’s nuts! I did about 9,000km of travelling, mainly by car with an occasional helicopter ride. A big shout out to Meshari my personal driver for getting us thru the course safely!
Despite the hard work it was an epic experience. I loved it. As a team we had a blast. We over-delivered on content and stories so all big smiles in the end!
Would I do it again? For sure … book me in. I love this kind of expedition style content creation, looking for real RAW stories and constantly being on the move. I seem to be at my best with very little sleep, limited showers and no comfort. Always up for an adventure.
•Two Canon EOS 1DXII bodies + one Canon EOSR body
•Lenses; 15mm fisheye, 16-35, 24-70, 50 (1.2), 70-200 and telephoto 200-400 with 1.4 extender
•GoPro’s, small tripod, flash, Softboxes, waterproof bags, head torch
•Lots of HD’s, Cfast cards
•MacBook Pro and iPad loaded with Netflix movies
•f-stop Satori backpack with ICU’s
•Three Yeti Panga 100 – waterproof duffle bags
•Marmot 2p tent, Patagonia sleeping bag, Helinox Cot Max, small stove, coffee press